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Young People's Theatre/YPT Reviews 

All reviews (6) Alum (0) Parent (2) Camper (2) OUR KIDS Reviews (2)

Video interviews

OUR KIDS talks with insiders from Young People's Theatre/YPT for their insights

Young People's Theatre/YPT video review by Parent Janet Bowring

Young People's Theatre/YPT: Parent Interview with Janet Bowring

Watch our Parent interview with Janet Bowring to hear firsthand what children experience and how they grow at Young People's Theatre/YPT. Watch interview

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Short reviews of Young People's Theatre/YPT

Quick, short-form reviews, gathered from additional sources.

Anonymous (parent)

YPT Drama School

We are so grateful to the generous donors who make the YPT Drama School bursaries possible. Our daughter is able to access world-class arts education thanks to their kindness and support, which helped eliminate financial barriers to her participation. We're so fortunate to have YPT and the Drama School in our community and even more fortunate for those that make contributions to make it accessible to kids that live in the neighbourhood. ... Show More

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Jaimee S., Student (camper)

AMAZING EXPERIENCE

“I had AN AMAZING EXPERIENCE doing the classes and I would like to do them again!”

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Vera (camper)

CONNECTING!

“REALLY FUN! A great way to CONNECT WITH OTHERS.”

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OUR KIDS review of Young People's Theatre/YPT

our take

YPT,  by anyone’s reckoning, is a great Canadian arts institution. Founded in 1966 producing professional quality plays, and rightly gaining widespread attention because of it. Susan Rubes, the founder, was something of a force in the arts, and an indefatigable proponent both of what kids could do and what her programs should do for them. She believed that “only the best is good enough for children,” and built YPT in that vein. It soon grew to a stature equal to the professional companies in Toronto, becoming an important part of the city’s cultural scene. Directorship was filled by a who’s who of the theatre world, including Richard Ouzounian, and Peter Moss, who arrived from a role at the Stratford Festival. The perspective wasn't that children’s theatre was a lesser, smaller version of adult theatre, but rather that it was a unique and vital expression on par with it. That sense remains to this day, and kids who participate are truly participating in something very much at the heart of Canadian theatre and its traditions. Directorship is as good as it gets, as is the faculty who run the programs. For kids interested in the arts, the experience of participating in the YPT is as inspiring as it is singular. It’s arguably the foremost program of its kind in the country, a position it’s maintained for over half a century.


Three Things: Young People's Theatre/YPT
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